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**Angel** · 04-20-2010, 10:40 PM

About The Poems of William Blake

William Blake was a poet who was not very well recognized during his lifetime. It was not until his sixties when his work began to receive credit as leading a new literary movement in England at the time that was really triggered by William Wordsworth and Samuel Taylor Coleridge who were both much younger than Blake and of a superior social class. In his younger years, William Blake's poetry was written off as lunacy by most of his contemporaries, and although he is recognized now as the 'grandfather' or the Romantic period, he was in fact much older and far removed from that time.

That being said, the reason Blake is associated with Romanticism is because of his ardent support of the French Revolution and all forms of anti-establishment radicalism. Blake was an untiring rebel who verbally and poetically fought hard against all constrictions of his time--religious, social, sexual, and literary. His poems transmute clearly all the burring issues and events of his day and touch on issues such as the American War for Independence, the French Revolution, Colonialism and the expansion of Empire, Slavery, and finally the Industrial Revolution. Through Blake's work, the reader can deduce his passion and vision that social rebellion against these injustices would serve as an apocalyptic turning point in the history of humankind, destroying the old, decaying order of oppression and presaging the redemption of humanity.

The poems of William Blake reinterpret the spiritual history of the human race from the fall from Eden to the beginning of the French Revolution. Blake believed in the correspondence between the physical world and the spiritual world and used poetic metaphor to express these beliefs. In his poetry, we hear a man who look's for mankind to salvage his redemption from oppression through resurgence of imaginative life. The power of repression is a constant theme in Blake's poems and he articulates his belief in the titanic forces of revolt and the struggle for freedom against the guardians of tradition.

What is important to keep in mind when discussing or reading Blake's poetry is that a lot of his poems were accompanied with some sort of illustration, painting, or in the case of the prophecies and songs, copper plates. It is difficult to fully grasp the poet’s intentions without having access to the artwork married to the poem.

Additionally, his earliest work, "Poetical Sketches," which is a collection that a lot of the poems discussed here are taken from, shows dissatisfaction with the reigning poetic tradition and his restless quest for new literary forms and techniques. Eventually, Blake's genius would blossom and his thinking began to be articulated in giant forms, leading to the creation of complete mythology and extremely symbolic epics.

source: gradesaver.com

**Angel** · 11-08-2010, 10:45 PM

Major Themes of Blake's Poems

Opposition

In the “Marriage of Heaven and Hell,” Blake wrote: “Opposition is true friendship.” Even the title of that poem points to his theory of a “marriage” between opposites. So much of Blake’s work revolves around the theme that opposition represents balance in this world, and a focus on one side over its counter leads to oppression and ignorance. Many people who study Blake argue that he is an extreme radical who was out to abolish any form of order that existed during his lifetime. A close reading of his work dealing with this theme will prove this is not the case. William Blake was intelligent enough, and courageous enough, to recognize the Age of Reason’s over-governing intentions and set out to challenge the notion that sensibility and order are exclusive partners. But Blake did not seek complete anarchy in the world contrary to a lot of interpretation of his work. What the poet did was illustrate that governing does not have to equal a loss of liberty, and he did so by presenting the opposition to the demanding institutions—church, state, law, monarchy—of his time. By examining ideas and objects in terms of opposites and allowing access to both sides of the scale, man will reach a true state of enlightenment rather than a repressed state where few benefit and most are held in bondage.

The cycle

Cycle is very similar to the theme of opposition. Where Blake argues each object or abstract idea has an equal and valid opposite form, he also contends that nature of these objects and abstractions pass back and forth through one another. Most obvious in “The Season” poems studied here, but also in many other works of Blake, the reader learns of his static belief that nature operates in cyclical terms. William Blake would use this theory as evidential support for the changes of his time, especially the Revolutions that were happening in America and France. Frustrated with a long period of repression in Europe, Blake felt it was time for the people to rise and fight back, and that a political and philosophical cleansing was not only a positive part to the progression of mankind and evolution of societies, but that it was as natural as the rotation of the earth, the changing of the seasons, and the maturity of humans.

Oppression / Repression

Blake lived in a period of aggressive British colonialism, slavery, social casting, Revolutionary change in America and Europe, as well as the beginning of the Industrial Revolution. Being a member of the lower class, an uneducated artist (in the formal sense of the term, although Blake was clearly quite intelligent), and considered by many to be an inferior poet bordering madness, Blake experienced firsthand the struggles of oppression. Using words and illustrations, Blake fought back against his countrymen, political leaders, and religious principals(ples). The theme of the repressed is the easiest to identify and extract from Blake’s poetry. Most all of his work will feature a wearisome protagonist who is attempting to revolt against some greater being, whether it be politically, religious, or even the shackles of love and marriage. Many times, this theme is represented in the form of mythology, literary allusion, and the personification of natural objects.

Sexuality

There has been a lot written on the hidden sexual references that are laden in Blake’s poetry. While some of the examples put forward by Blake scholars who seek sexual innuendo in all of Blake’s writings is debatable, there are some instances where sexual reference is prevalent without doubt. Regardless of the directed gender of the metaphor, sexuality does play an important role in Blake’s canon. Due to Blake’s feeling that the human imagination and desire is oppressed in all forms, it makes complete sense that he would also draw upon the supposed dishonor and immoral act of copulation as just one more facet of persecution against nature’s intent. The most repeated reference made to this is the literary allusion repeatedly made to Milton and the fall of man from the Garden of Eden as a result of his sin for love.

Innocence and Experience

Similar to Blake’s focus on man’s fall from grace, Blake was constantly exploring the moment of lost innocence. This repeated theme in Blake’s poetry is almost like a paragon for a combination of all the other themes so far discussed. The theme of the separation, transition, and difference between innocence and experience is highlights the theory of opposition, cycling, repression, and sexuality. Songs of Innocence and Experience aside (which can be found in a separate Grade Saver Note), Blake continues to explore and personify this transient moment and investigate its consequences. Recognizing that in a world of “reason” or “sensibility” we risk forgetting all of our primitive desires and suppressing all of our natural intuitions. Blake attempt to invoke recognition for the imaginative spirit that lies in all of us, but since our moment of experience, has been subjugated to the areas of our mind we are called upon to ignore.

Religion

It is unclear exactly where Blake stood in terms of his beliefs in God. Some contend that through his works it is clear he was an atheist; others argue he was more agnostic. While it is impossible to say for sure, it is not the opinion of this author that Blake had no belief in a super-being, God-like, creator. Blake makes many references to God and a supernatural, omniscient, and omnipresent being. That being said, it is very valid to assume Blake had a distinct disdain for religion as an institution. The theme of religion appears in a lot of Blake’s work, and in his “opposition is friendship” manner, he usually counterbalances this theme with references to nature, showing his belief in a natural superpower rather than mythological creator. Blake views religion as one of the paragons of tyranny. Inventing a mythology full of angels, demons, and Gods that mirror a lot of Milton’s writings, it becomes obvious that William Blake was fascinated with religion as literary allusion and infuriated with it as a means to suppress man’s natural desires.

Poetry/Imagination

By the time William Blake began writing poetry at the very young age of twelve, he was already frustrated with the stale situation English poetry was in at that time. Blake felt poets needed to seek new ways to express their words and ideas and sought to step away from the Classic traditions of English poetry that had not really changed since Spenser (so Blake thought anyhow). As readers, we witness Blake play around with no forms and seek new methods to get across his message. In some of the poems, literary reference becomes the theme itself (“Memory, hither come” and “To the Muses” for example). William Blake was continuously finding new ways to express his philosophical beliefs and articulate his extraordinary imagination.

source: gradesaver.com

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ویلیام بلیک (William Blake)

ویلیام بلیک (William Blake)

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