Personification {PER-son-E-fih-ka-shEn): A figure of speech where animals, ideas or inorganic objects are given human characteristics. One example of this is James Stephens’s poem "The Wind" in which wind preforms several actions. In the poem Stephens writes, “The wind stood up and gave a shout. He whistled on his two fingers.” Of course the wind did not actually "stand up," but this image of the wind creates a vivid picture of the wind's wild actions. Another example of personification in this poem is “Kicked the withered leaves about….And thumped the branches with his hand.” Here, the wind is kicking leaves about, just like a person would and using hands to thump branches like a person would also. By giving human characteristics to things that do not have them, it makes these objects and their actions easier to visualize for a reader. By giving the wind human characteristics, Stephens makes this poem more interesting and achieves a much more vivid image of the way wind whips around a room. Personification is most often used in poetry, coming to popularity during the 18th century.
Example:
a smiling moon, a jovial sun
In "Mirror" by Sylvia Plath, for example, the mirror--the "I" in the first line--is given the ability to speak, see and swallow, as well as human attributes such as truthfulness.
I am silver and exact.
I have no preconceptions.
Whatever I see I swallow immediately
Just as it is, unmisted by love or dislike.
I am not cruel, only truthful--
In John Keats' "To Autumn," the fall season is personified as "sitting careless on a granary floor" (line 14) and "drowsed with the fume of poppies" (line 17.)
source: uncp.edu
tnellen.com
Example:
a smiling moon, a jovial sun
In "Mirror" by Sylvia Plath, for example, the mirror--the "I" in the first line--is given the ability to speak, see and swallow, as well as human attributes such as truthfulness.
I am silver and exact.
I have no preconceptions.
Whatever I see I swallow immediately
Just as it is, unmisted by love or dislike.
I am not cruel, only truthful--
In John Keats' "To Autumn," the fall season is personified as "sitting careless on a granary floor" (line 14) and "drowsed with the fume of poppies" (line 17.)
source: uncp.edu
tnellen.com