اطلاعیه

**Obscure** · 11-29-2011, 08:57 PM

Character List

Winston Smith - A minor member of the ruling Party in near-future London, Winston Smith is a thin, frail, contemplative, intellectual, and fatalistic thirty-nine-year-old. Winston hates the totalitarian control and enforced repression that are characteristic of his government. He harbors revolutionary dreams.

Julia - Winston’s lover, a beautiful dark-haired girl working in the Fiction Department at the Ministry of Truth. Julia enjoys sex, and claims to have had affairs with many Party members. Julia is pragmatic and optimistic. Her rebellion against the Party is small and personal, for her own enjoyment, in contrast to Winston’s ideological motivation.

O’Brien - A mysterious, powerful, and sophisticated member of the Inner Party whom Winston believes is also a member of the Brotherhood, the legendary group of anti-Party rebels.

Big Brother - Though he never appears in the novel, and though he may not actually exist, Big Brother, the perceived ruler of Oceania, is an extremely important figure. Everywhere Winston looks he sees posters of Big Brother’s face bearing the message “BIG BROTHER IS WATCHING YOU.” Big Brother’s image is stamped on coins and broadcast on the unavoidable telescreens; it haunts Winston’s life and fills him with hatred and fascination.

Mr. Charrington - An old man who runs a secondhand store in the prole district. Kindly and encouraging, Mr. Charrington seems to share Winston’s interest in the past. He also seems to support Winston’s rebellion against the Party and his relationship with Julia, since he rents Winston a room without a telescreen in which to carry out his affair. But Mr. Charrington is not as he seems. He is a member of the Thought Police.

Syme - An intelligent, outgoing man who works with Winston at the Ministry of Truth. Syme specializes in language. As the novel opens, he is working on a new edition of the Newspeak dictionary. Winston believes Syme is too intelligent to stay in the Party’s favor.

Parsons - A fat, obnoxious, and dull Party member who lives near Winston and works at the Ministry of Truth. He has a dull wife and a group of suspicious, ill-mannered children who are members of the Junior Spies.

Emmanuel Goldstein - Another figure who exerts an influence on the novel without ever appearing in it. According to the Party, Goldstein is the legendary leader of the Brotherhood. He seems to have been a Party leader who fell out of favor with the regime. In any case, the Party describes him as the most dangerous and treacherous man in Oceania.
منبع: sparknotes

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**Obscure** · 11-29-2011, 09:07 PM

Book One: Chapter I

Summary: Chapter I

On a cold day in April of 1984, a man named Winston Smith returns to his home, a dilapidated apartment building called Victory Mansions. Thin, frail, and thirty-nine years old, it is painful for him to trudge up the stairs because he has a varicose ulcer above his right ankle. The elevator is always out of service so he does not try to use it. As he climbs the staircase, he is greeted on each landing by a poster depicting an enormous face, underscored by the words “BIG BROTHER IS WATCHING YOU.”

Winston is an insignificant official in the Party, the totalitarian political regime that rules all of Airstrip One—the land that used to be called England—as part of the larger state of Oceania. Though Winston is technically a member of the ruling class, his life is still under the Party’s oppressive political control. In his apartment, an instrument called a telescreen—which is always on, spouting propaganda, and through which the Thought Police are known to monitor the actions of citizens—shows a dreary report about pig iron. Winston keeps his back to the screen. From his window he sees the Ministry of Truth, where he works as a propaganda officer altering historical records to match the Party’s official version of past events. Winston thinks about the other Ministries that exist as part of the Party’s governmental apparatus: the Ministry of Peace, which wages war; the Ministry of Plenty, which plans economic shortages; and the dreaded Ministry of Love, the center of the Inner Party’s loathsome activities.

WAR IS PEACE

FREEDOM IS SLAVERY
IGNORANCE IS STRENGTH

From a drawer in a little alcove hidden from the telescreen, Winston pulls out a small diary he recently purchased. He found the diary in a secondhand store in the proletarian district, where the very poor live relatively unimpeded by Party monitoring. The proles, as they are called, are so impoverished and insignificant that the Party does not consider them a threat to its power. Winston begins to write in his diary, although he realizes that this constitutes an act of rebellion against the Party. He describes the films he watched the night before. He thinks about his lust and hatred for a dark-haired girl who works in the Fiction Department at the Ministry of Truth, and about an important Inner Party member named O’Brien—a man he is sure is an enemy of the Party. Winston remembers the moment before that day’s Two Minutes Hate, an assembly during which Party orators whip the populace into a frenzy of hatred against the enemies of Oceania. Just before the Hate began, Winston knew he hated Big Brother, and saw the same loathing in O’Brien’s eyes.
Winston looks down and realizes that he has written “DOWN WITH BIG BROTHER” over and over again in his diary. He has committed thoughtcrime—the most unpardonable crime—and he knows that the Thought Police will seize him sooner or later. Just then, there is a knock at the door.

Analysis: Chapter I

The first few chapters of 1984 are devoted to introducing the major characters and themes of the novel. These chapters also acquaint the reader with the harsh and oppressive world in which the novel’s protagonist, Winston Smith, lives. It is from Winston’s perspective that the reader witnesses the brutal physical and psychological cruelties wrought upon the people by their government. Orwell’s main goals in 1984 are to depict the frightening techniques a totalitarian government (in which a single ruling class possesses absolute power) might use to control its subjects, and to illustrate the extent of the control that government is able to exert. To this end, Orwell offers a protagonist who has been subject to Party control all of his life, but who has arrived at a dim idea of rebellion and freedom.
Unlike virtually anyone else in Airstrip One, Winston seems to understand that he might be happier if he were free. Orwell emphasizes the fact that, in the world of Airstrip One, freedom is a shocking and alien notion: simply writing in a diary—an act of self-expression—is an unpardonable crime. He also highlights the extent of government control by describing how the Party watches its members through the giant telescreens in their homes. The panic that grabs hold of Winston when he realizes that he has written “DOWN WITH BIG BROTHER” evidences his certainty in the pervasive omniscience of the Party and in the efficiency of its monitoring techniques.
Winston’s diary entry, his first overt act of rebellion, is the primary plot development in this chapter. It illustrates Winston’s desire, however slight, to break free of the Party’s total control. Winston’s hatred of Party oppression has been festering for some time, possibly even for most of his life. It is important to note that the novel, however, opens on the day that this hatred finds an active expression—Winston’s instinct to rebel singles him out of the sheeplike masses. Unlike the rest of the general public who do not find the Party’s contradictions problematic, Winston is aware of himself as an entity separate from the totalitarian state. He realizes that writing in the diary has altered his life irrevocably and that he is no longer simply another citizen of Oceania. In writing in the diary he becomes a thought-criminal, and he considers himself doomed from the very start: “Thoughtcrime was not a thing that could be concealed forever . . . Sooner or later they were bound to get you.”
One of the most important themes of 1984 is governmental use of psychological manipulation and physical control as a means of maintaining its power. This theme is present in Chapter I, as Winston’s grasping at freedom illustrates the terrifying extent to which citizens are not in control of their own minds. The telescreens in their homes blare out a constant stream of propaganda, touting the greatness of Oceania and the success of the Party in ruling it. Each day citizens are required to attend the Two Minutes Hate, an intense mass rally in which they are primed with fury and hatred for Oceania’s rival nations, venting their own pent-up emotions in the process. The government, meanwhile, expresses its role in an outlandishly dishonest fashion, as seen in the stark contradiction between the name and function of each of its ministries. The net effect of this psychological manipulation is a complete breakdown of the independence of an individual’s mind. Independence and will are replaced by a fear of, and faith in, the Party; indeed, individual thought has become so alien the population accepts that the Party has made it a crime.
منبع: sparknotes

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**Obscure** · 11-29-2011, 09:17 PM

Book One: Chapters II–III

Summary: Chapter II

Winston opens the door fearfully, assuming that the Thought Police have arrived to arrest him for writing in the diary. However, it is only Mrs. Parsons, a neighbor in his apartment building, needing help with the plumbing while her husband is away. In Mrs. Parsons’s apartment, Winston is tormented by the fervent Parsons children, who, being Junior Spies, accuse him of thoughtcrime. The Junior Spies is an organization of children who monitor adults for disloyalty to the Party, and frequently succeed in catching them—Mrs. Parsons herself seems afraid of her zealous children. The children are very agitated because their mother won’t let them go to a public hanging of some of the Party’s political enemies in the park that evening. Back in his apartment, Winston remembers a dream in which a man’s voice—O’Brien’s, he thinks—said to him, “We shall meet in the place where there is no darkness.” Winston writes in his diary that his thoughtcrime makes him a dead man, then he hides the book.
Summary: Chapter III

Winston dreams of being with his mother on a sinking ship. He feels strangely responsible for his mother’s disappearance in a political purge almost twenty years ago. He then dreams of a place called The Golden Country, where the dark-haired girl takes off her clothes and runs toward him in an act of freedom that annihilates the whole Party. He wakes with the word “Shakespeare” on his lips, not knowing where it came from. A high-pitched whistle sounds from the telescreen, a signal that office workers must wake up. It is time for the Physical Jerks, a round of grotesque exercise.
As he exercises, Winston thinks about his childhood, which he barely remembers. Having no physical records such as photographs and documents, he thinks, makes one’s life lose its outline in one’s memory. Winston considers Oceania’s relationship to the other countries in the world, Eurasia and Eastasia. According to official history, Oceania has always been at war with Eurasia and in alliance with Eastasia, but Winston knows that the records have been changed. Winston remembers that no one had heard of Big Brother, the leader of the Party, before 1960, but stories about him now appear in histories going back to the 1930s.
As Winston has these thoughts, a voice from the telescreen suddenly calls out his name, reprimanding him for not working hard enough at the Physical Jerks. Winston breaks out into a hot sweat and tries harder to touch his toes.
Analysis: Chapters II–III

Winston’s fatalism is a central component of his character. He has been fearing the power of the Party for decades, and the guilt he feels after having committed a crime against the Party overwhelms him, rendering him absolutely certain that he will be caught and punished. Winston only occasionally allows himself to feel any hope for the future. His general pessimism not only reflects the social conditioning against which Orwell hopes to warn his readers, but also casts a general gloom on the novel’s atmosphere; it makes a dark world seem even darker.
An important aspect of the Party’s oppression of its subjects is the forced repression of sexual appetite. Initially, Winston must confine his sexual desires to the realm of fantasy, as when he dreams in Chapter II of an imaginary Golden Country in which he makes love to the dark-haired girl. Like sex in general, the dark-haired girl is treated as an unfathomable mystery in this section; she is someone whom Winston simultaneously desires and distrusts with a profound paranoia.
The Party’s control of the past is another significant component of its psychological control over its subjects: that no one is allowed to keep physical records documenting the past prevents people from challenging the government’s motivations, actions, and authority. Winston only vaguely remembers a time before the Party came to power, and memories of his past enter his mind only in dreams, which are the most secure repositories for thoughts, feelings, and memories that must be suppressed in waking life.
Winston’s dreams are also prophetic, foreshadowing future events. Winston will indeed make love to the dark-haired girl in an idyllic country landscape. The same is true for his dream of O’Brien, in which he hears O’Brien’s voice promise to meet him “in the place where there is no darkness.” At the end of the novel, Winston will indeed meet O’Brien in a place without darkness, but that place will be nothing like what Winston expects. The phrase “the place where there is no darkness” recurs throughout the novel, and it orients Winston toward his future.
An important motif that emerges in the first three chapters of 1984 is that of urban decay. Under the supposedly benign guidance of the Party, London has fallen apart. Winston’s world is a nasty, brutish place to live—conveniences are mostly out of order and buildings are ramshackle and unsafe. In contrast to the broken elevator in Winston’s rundown apartment building, the presence of the technologically advanced telescreen illustrates the Party’s prioritization of strict control and utter neglect of citizens’ quality of living.
Winston’s encounter with the Parsons children in Chapter II demonstrates the Party’s influence on family life. Children are effectively converted into spies and trained to watch the actions of their parents with extreme suspicion. The fear Mrs. Parsons shows for her children foreshadows Winston’s encounter in jail with her husband, who is turned in to the Party by his own child for committing thoughtcrime. Orwell was inspired in his creation of the Junior Spies by a real organization called Hitler Youth that thrived in Nazi Germany. This group instilled a fanatic patriotism in children that led them to such behaviors as monitoring their parents for any sign of deviation from Nazi orthodoxy, in much the same manner that Orwell later ascribed to the Junior Spies.
منبع: sparknotes

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**Obscure** · 11-29-2011, 09:23 PM

Book One: Chapters VII–VIII

Summary: Chapter VII

Winston writes in his diary that any hope for revolution against the Party must come from the proles. He believes that the Party cannot be destroyed from within, and that even the Brotherhood, a legendary revolutionary group, lacks the wherewithal to defeat the mighty Thought Police. The proles, on the other hand make up eighty-five percent of the population of Oceania, and could easily muster the strength and manpower to overcome the Police. However, the proles lead brutish, ignorant, animalistic lives, and lack both the energy and interest to revolt; most of them do not even understand that the Party is oppressing them.

Winston looks through a children’s history book to get a feeling for what has really happened in the world. The Party claims to have built ideal cities, but London, where Winston lives, is a wreck: the electricity seldom works, buildings decay, and people live in poverty and fear. Lacking a reliable official record, Winston does not know what to think about the past. The Party’s claims that it has increased the literacy rate, reduced the infant mortality rate, and given everyone better food and shelter could all be fantasy. Winston suspects that these claims are untrue, but he has no way to know for sure, since history has been written entirely by the Party.

In the end the Party would announce that two and two made five, and you would have to believe it.

Winston remembers an occasion when he caught the Party in a lie. In the mid-1960s, a cultural backlash caused the original leaders of the Revolution to be arrested. One day, Winston saw a few of these deposed leaders sitting at the Chestnut Tree Café, a gathering place for out-of-favor Party members. A song played—“Under the spreading chestnut tree / I sold you and you sold me”—and one of the Party members, Rutherford, began to weep. Winston never forgot the incident, and one day came upon a photograph that proved that the Party members had been in New York at the time that they were allegedly committing treason in Eurasia. Terrified, Winston destroyed the photograph, but it remains embedded in his memory as a concrete example of Party dishonesty.
Winston thinks of his writing in his diary as a kind of letter to O’Brien. Though Winston knows almost nothing about O’Brien beyond his name, he is sure that he detects a strain of independence and rebellion in him, a consciousness of oppression similar to Winston’s own. Thinking about the Party’s control of every record of the truth, Winston realizes that the Party requires its members to deny the evidence of their eyes and ears. He believes that true freedom lies in the ability to interpret reality as one perceives it, to be able to say “2 + 2 = 4.”

Summary: Chapter VIII

When memory failed and written records were falsified . . .

Winston goes for a walk through the prole district, and envies the simple lives of the common people. He enters a pub where he sees an old man—a possible link to the past. He talks to the old man and tries to ascertain whether, in the days before the Party, people were really exploited by bloated capitalists, as the Party records claim. The old man’s memory is too vague to provide an answer. Winston laments that the past has been left to the proles, who will inevitably forget it.
Winston walks to the secondhand store in which he bought the diary and buys a clear glass paperweight with a pink coral center from Mr. Charrington, the proprietor. Mr. Charrington takes him upstairs to a private room with no telescreen, where a print of St. Clement’s Church looks down from the wall, evoking the old rhyme: “Oranges and lemons, say the bells of St. Clement’s / You owe me three farthings, say the bells of St. Martin’s.”
On the way home, Winston sees a figure in blue Party overalls—the dark-haired girl, apparently following him. Terrified, he imagines hitting her with a cobblestone or with the paperweight in his pocket. He hurries home and decides that the best thing to do is to commit suicide before the Party catches him. He realizes that if the Thought Police catch him, they will torture him before they kill him. He tries to calm himself by thinking about O’Brien and about the place where there is no darkness that O’Brien mentioned in Winston’s dreams. Troubled, he takes a coin from his pocket and looks into the face of Big Brother. He cannot help but recall the Party slogans: “WAR IS PEACE,” “FREEDOM IS SLAVERY,” “IGNORANCE IS STRENGTH.”

Analysis: Chapters VI–VII

After a trio of chapters devoted largely to the work life of minor Party members, Orwell shifts the focus to the world of the very poor. The most important plot development in this section comes with Winston’s visit to Mr. Charrington’s antiques shop, which stands as a veritable museum of the past in relation to the rest of Winston’s history-deprived world. The theme of the importance of having knowledge about the past in order to understand the present is heavily emphasized here. Orwell demonstrates how the Party, by controlling history, forces its members into lives of uncertainty, ignorance, and total reliance upon the Party for all of the information necessary to function in the world.
Winston’s trip to the prole district illustrates the relationship between social class and awareness of one’s situation. Life in the prole district is animalistic, filthy, and impoverished. The proles have greater freedom than minor Party members such as Winston, but lack the awareness to use or appreciate that freedom. Winston’s desire to attain a unilateral, abstract understanding of the Party’s methods and evils in order to consider and reject them epitomizes his speculative, restless nature. He obsesses about history in particular, trying to understand how the Party’s control of information about the past enhances its power in the present. In contrast, the old man in the bar whom Winston addresses is too concerned with his bladder and feet to remember the past, and has no sense of the Party’s impact on his life. Winston knows that the Party does not “reeducate” the proles because it believes the proles to be too unintelligent to pose a threat to the government. Nevertheless, Winston believes that the proles hold the key to the past and, hence, to the future.
Like Winston’s dream phrase “the place where there is no darkness,” which reappears in Chapter VIII, the picture of St. Clement’s Church hanging in Mr. Charrington’s upstairs room functions as a motif tied to Winston’s fruitless hope. Like the paperweight, an important symbol of Winston’s dreams of freedom, the picture represents Winston’s desire to make a connection with a past that the Party has suppressed. However, his attempt to appropriate the past as a means of exposing the Party, like his attempt to appropriate the room as a safe harbor for his disloyalty, is ultimately thwarted by the Party’s mechanisms. The phrase associated with the picture ends on an ominous note—“Here comes a chopper to chop off your head.” This rhyme foreshadows the connection between the picture (behind which a telescreen is hidden) and the termination of Winston’s private rebellion.

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**Obscure** · 11-30-2011, 08:07 PM

Book Two: Chapters I–III

Book Two: Chapters I–III

Summary: Chapter I

At work one morning, Winston walks toward the men’s room and notices the dark-haired girl with her arm in a sling. She falls, and when Winston helps her up, she passes him a note that reads “I love you.” Winston tries desperately to figure out the note’s meaning. He has long suspected that the dark-haired girl is a political spy monitoring his behavior, but now she claims to love him. Before Winston can fully comprehend this development, Parsons interrupts him with talk about his preparations for Hate Week. The note from the dark-haired girl makes Winston feel a sudden, powerful desire to live.

After several days of nervous tension during which he does not speak to her, Winston manages to sit at the same lunchroom table as the girl. They look down as they converse to avoid being noticed, and plan a meeting in Victory Square where they will be able to hide from the telescreens amid the movement of the crowds. They meet in the square and witness a convoy of Eurasian prisoners being tormented by a venomous crowd. The girl gives Winston directions to a place where they can have their tryst, instructing him to take a train from Paddington Station to the countryside. They manage to hold hands briefly.
Summary: Chapter II

Executing their plan, Winston and the girl meet in the country. Though he has no idea what to expect, Winston no longer believes that the dark-haired girl is a spy. He worries that there might be microphones hidden in the bushes, but feels reassured by the dark-haired girl’s evident experience. She tells him that her name is Julia, and tears off her Junior Anti-Sex League sash. Winston becomes aroused when they move into the woods, and they make love; the experience is nearly identical to the passionate sexual encounter about which Winston has dreamed. Afterward, Winston asks Julia if she has done this before, and she replies that she has—scores of times. Thrilled, he tells her that the more men she has been with, the more he loves her, since it means that more Party members are committing crimes.
Summary: Chapter III

The next morning, Julia makes the practical preparations for their return to London, and she and Winston head back to their normal lives. Over the coming weeks, they arrange several brief meetings in the city. At a rendezvous in a ruined church, Julia tells Winston about living in a hostel with thirty other girls, and about her first illicit sexual encounter. Unlike Winston, Julia is not interested in widespread rebellion; she simply likes outwitting the party and enjoying herself. She explains to Winston that the Party prohibits sex in order to channel the sexual frustration of the citizenry into fervent opposition to Party enemies and impassioned worship of Big Brother.
Winston tells Julia about a walk he once took with his ex-wife Katherine, during which he thought about pushing her off of a cliff. He says that it would not have mattered whether he pushed her or not, because it is impossible to win against the forces of oppression that govern their lives.
Analysis: Chapters I–III

Like the Two Minutes Hate, the Party’s parading of political enemies through public squares is a demonstration of psychological manipulation. The convoy channels the public’s hatred away from the Party into a political direction that is helpful to the Party. Additionally, the Party’s use of such displays illustrates how war serves to preserve cultural uniformity. War unites the citizens in opposition against some shadowy foreign evil while also making it impossible for its subjects to meet or exchange ideas with citizens from other countries, since the only foreigners in London are prisoners of war. In concert with the Party’s rewriting of history, this policy leaves Oceania’s inhabitants with nothing against which to compare their lives, rendering them unable to challenge the status quo.

The opening of Book Two, in which Winston meets Julia and begins the erotic affair he has so deeply desired, commences the main section of the novel and strikes an immediate contrast between the two lovers. Unlike Winston, Julia is neither overly speculative about, nor troubled by, the Party. Rather, she possesses a mix of sensuality and practicality that enables her to plan their affair with ruthless efficiency and then enjoy it with abandon. Julia also lacks Winston’s fatalism. When he tells her, “We are the dead,” she replies calmly, “We’re not dead yet.” Julia is more optimistic than Winston, and uses her body to remind him that he is alive. She accepts the Party and her life for what it is, and tries to make the best of a situation that cannot be greatly improved.
Though not interested in Winston’s need to understand the Party, Julia does facilitate Winston’s attempts to undermine the Party. In Chapter III, she produces some of the most astute analysis of the Party in the novel. Her understanding of sexual repression as a mechanism to incite “war fever” and “leader worship” renders her sexual activity a political act. From Winston’s point of view, the significance of having unauthorized sex with another Party member lies in the fact that his rebellion is no longer confined to himself. Though he considers her somewhat self-absorbed, Winston is thrilled that Julia has had so many affairs with so many Party members. Sexual jealousy no longer has a place, as Winston revels in the possibility of widespread rebellion against the Party’s strict mandates.
منبع: sparknotes

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**Obscure** · 11-30-2011, 08:10 PM

Book Two: Chapters IV–VI

Summary: Chapter IV

Winston looks around the little room above Mr. Charrington’s shop, which he has rented—foolishly, he thinks—for his affair with Julia. Outside, a burly, red-armed woman sings a song and hangs up her laundry. Winston and Julia have been busy with the city’s preparations for Hate Week, and Winston has been frustrated by their inability to meet. The problem was exacerbated by the fact that Julia has had her period. Winston wishes that he and Julia could lead a more leisurely, romantic life, like an old, married couple.

Julia comes into the room with sugar, coffee, and bread—luxuries only members of the Inner Party could normally obtain. She puts on makeup, and her beauty and femininity overwhelm Winston. Lounging in bed in the evening, Julia sees a rat; Winston, afraid of rats more than anything else, is horrified. Julia looks through the room, and notices the paperweight. Winston tells her that the paperweight is a link to the past. They sing the song about St. Clement’s Church, and Julia says that one day she will clean the old picture of the church. When Julia leaves, Winston sits gazing into the crystal paperweight, imagining living inside it with Julia in an eternal stasis.

Summary: Chapter V

As Winston predicted would happen, Syme vanishes. During the preparations for Hate Week, the city comes alive with the heat of the summer, and even the proles seem rowdy. Parsons hangs streamers everywhere and his children sing a new song, called “Hate Song,” written in celebration of the event. Winston becomes increasingly obsessed with the room above Mr. Charrington’s shop, thinking about it even when he cannot go there. He fantasizes that Katherine will die, which would allow him to marry Julia; he even dreams of altering his identity to become a prole. Winston and Julia talk about the Brotherhood; he tells her about the strange kinship he feels with O’Brien, and she tells him that she believes the war and Party enemies like Emmanuel Goldstein to be Party inventions. Winston is put off by her thoughtless lack of concern, and scolds her for being a rebel only from the waist down.

Summary: Chapter VI

O’Brien makes contact with Winston, who has been waiting for this moment all his life. During his brief meeting with O’Brien in the hallway at the Ministry of Truth, Winston is anxious and excited. O’Brien alludes to Syme and tells Winston that he can see a Newspeak dictionary if he will come to O’Brien’s house one evening. Winston feels that his meeting with O’Brien continues a path in his life begun the day of his first rebellious thought. He thinks gloomily that this path will lead him to the Ministry of Love, where he expects to be killed. Though he accepts his fate, he is thrilled to have O’Brien’s address.

Analysis: Chapters IV–VI

These three chapters represent a transitional period, during which Winston’s affair with Julia becomes an established part of their lives, and leading up to Winston’s meeting with O’Brien. Despite the risk, Winston rents the room above Mr. Charrington’s shop so that he and Julia can have a regular place to meet. As the preparations for Hate Week cast a shadow of heat and fatigue on Winston’s life, a number of important minor details surface throughout this section, each of which has some bearing on later developments in the novel.
The first to surface is the return of the glass paperweight. A “vision of the glass paperweight” inspired Winston to rent the room above the shop. The recurrence of this symbol emphasizes Winston’s obsession with the past and connects it to his desire to rent the room. By making the room available for himself and Julia, he hopes he can make their relationship resemble one from an earlier, freer time. After Julia leaves the room, Winston gazes into the paperweight, imagining a world outside of time inside it, where he and Julia could float, free from the Party.
The second detail involves the prole woman singing outside the window. Winston has already thought and written in his diary that any hope for the future must come from the proles. The virile prole woman singing outside the window becomes a symbol of the hoped-for future to Winston; he imagines her bearing the children who will one day overthrow the Party.
The third factor is Winston’s fear of rats. When he sees a rat in the room in Chapter IV, he shudders in terror. His worst nightmare involves rats in a vague, mysterious way he cannot quite explain. This is another foreshadow: when O’Brien tortures Winston in the Ministry of Love at the end of the novel, he will use a cage of rats to break Winston’s spirit. The fact that Winston’s fear of rats comes from a nightmare that he cannot explain is another important instance of the motif of dreams. Once again, Winston’s dream represents an incomprehensible link to a past that is beyond his memory.
The fourth detail is the recurrence of the St. Clement’s Church song. The mysterious reference the song makes continues to pique Winston’s interest in the past, and its last line (“Here comes the chopper to chop off your head”) continues to obliquely foreshadow his unhappy ending. A more pragmatic interest makes the song relevant in this section: Julia offers to clean the St. Clement’s Church picture in Chapter IV; had she done so, the lovers would have discovered the telescreen hidden behind it.
The most important part of this section is Winston’s meeting with O’Brien, which Winston considers to be the most important event of his life. The meeting is brief, but it establishes O’Brien as an enigmatic and powerful figure. At this point we cannot tell whether he is trustworthy or treacherous, whether he is truly on Winston’s side or simply wants to trap him for the Party. In the end, Winston will discover the answer to that question in the place where there is no darkness.

منبع: sparknotes

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**Obscure** · 11-30-2011, 08:15 PM

Book Two: Chapters VII–VIII

Summary: Chapter VII

One morning, Winston wakes up crying in the room above Mr. Charrington’s antiques shop. Julia is with him, and asks him what is wrong. He tells her that he has been dreaming of his mother, and that until that moment, he has subconsciously believed that he murdered her. He is suddenly gripped with a sequence of memories that he had repressed. He remembers his childhood after his father left: he, his mother, and his baby sister spent most of their time in underground shelters hiding from air raids, often going without food. Consumed by hunger, Winston stole some chocolate from them and ran away, never to see them again. He hates the Party for having eliminated human feelings. He believes that the proles are still human, but that Party members like him and Julia are forced to suppress their own feelings to the point that they become virtually inhuman.

Winston and Julia worry because they know that if they are captured, they will be tortured and possibly killed, and that renting the room above Mr. Charrington’s shop dramatically increases the likelihood that they will be captured. Fretfully, they reassure one another that although the torture will undoubtedly make them confess their crimes, it cannot make them stop loving each other. They agree that the wisest course of action would be to leave the room forever, but they cannot.

Summary: Chapter VIII

The two take a serious risk by traveling to O’Brien’s together. Inside his sumptuous apartment, O’Brien shocks Winston by turning off the telescreen. Believing that he is free of the Party’s observation, Winston boldly declares that he and Julia are enemies of the Party and wish to join the Brotherhood. O’Brien tells them that the Brotherhood is real, that Emmanuel Goldstein exists and is alive, and leads them through a ritual song to initiate them into the order of rebellion. O’Brien gives them wine, and Winston proposes that they drink to the past. Julia leaves, and O’Brien promises to give Winston a copy of Goldstein’s book, the manifesto of the revolution. O’Brien tells Winston that they might meet again one day. Winston asks if he means in the place where there is no darkness, and O’Brien confirms by repeating the phrase. O’Brien fills Winston in on the missing verses from the St. Clement’s Church rhyme. As Winston leaves, O’Brien turns on the telescreen and returns to his work.

Analysis: Chapters VII–VIII

Winston’s sudden surge of childhood memories reveals the depths to which the Party’s psychological manipulation has infiltrated: only in his subconscious is Winston still able to cling to the truth. Julia proves to be one of the few outlets (the reader never meets any of Winston’s family) for the emotionally cathartic power of this memory, and is thus one of the few people with whom Winston can interact in a meaningful way. Their sincere commitment to each other about the fact that torture will make them turn each other in but not stop loving each other illustrates their naïve underestimation of the Party’s power over the human mind. By the end of the novel, their loving words assume a kind of monstrous irony, as the only meeting between Winston and Julia following their torture proves emotionless and dull.
The most important event in this section is the meeting at O’Brien’s, to which Winston is driven by a mixture of optimism and fatalism. Winston’s powerful fascination with the enigmatic O’Brien leads him to trust O’Brien and feel safe in his presence, in much the same way that he feels safe in the room above Mr. Charrington’s shop. Winston’s hopeful belief in the Brotherhood, uncharacteristic for a man as fatalistic as he, actually contributes to his sense of impending doom. As with his first act of rebellion, he knows that his desperation to wriggle free of Party control will eventually get him caught.
O’Brien seems to represent a powerful figure willing to undermine the Party. He offers a connection to the Brotherhood, and has an iron will dedicated to fighting the Party. He knows and is interested in the past, as can be seen in his knowledge of the song about St. Clement’s Church. He is the embodiment of everything Winston hoped he would be. As such, O’Brien fills Winston with a hope that he has never before experienced. Though this optimism shines brightly in the moment, it soon becomes evident that O’Brien is acting as Winston’s ideal. The hope he inspires in Winston is part of the psychological torture Winston will soon experience, since O’Brien is simply setting Winston up for a fall.
منبع: sparknotes

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**Obscure** · 11-30-2011, 08:18 PM

Book Two: Chapters IX–X

Summary: Chapter IX

After a ninety-hour workweek, Winston is exhausted. In the middle of Hate Week, Oceania has switched enemies and allies in the ongoing war, heaping upon Winston a tremendous amount of work to compensate for the change. At one rally, the speaker is forced to change his speech halfway through to point out that Oceania is not, and has never been, at war with Eurasia. Rather, the speaker says, Oceania is, and always has been, at war with Eastasia. The people become embarrassed about carrying the anti-Eurasia signs and blame Emmanuel Goldstein’s agents for sabotaging them. Nevertheless, they exhibit full-fledged hatred for Eastasia.
In the room at Mr. Charrington’s, Winston reads through Goldstein’s The Theory and Practice of Oligarchical Collectivism, given to him by O’Brien. This lengthy book, with chapter titles taken from party slogans such as “WAR IS PEACE” and “IGNORANCE IS STRENGTH,” traces a theory of social classes throughout recent history: High Class, Middle Class, and Low Class—the Inner Party, the Outer Party, and the Proles. According to the manifesto, Eurasia was created when Russia subsumed all of Europe, Oceania was created when the United States absorbed the British Empire, and Eastasia is made up of the remaining nations. These three nations keep their respective populaces preoccupied with a perpetual border war in order to preserve power among the High class. Goldstein writes that the war never advances significantly, as no two allied nations can defeat the third. The war is simply a fact of life that enables the ruling powers to keep the masses ignorant of life in other places—the real meaning of the phrase “WAR IS PEACE.”
As Winston reads, Julia enters the room and flings herself into his arms. She is casually glad to know that he has the book. After half an hour in bed together, during which they hear the red-armed woman singing outside, Winston reads to Julia from the book. Goldstein explains that the control of history is a central tool of the Party. He adds that doublethink allows Inner Party members to be the most zealous about pursuing the war mentality, even though they know the falsity of the histories they write. Winston finally asks Julia if she is awake—she is not—and falls asleep himself. His last thought is that “sanity is not statistical.”
Summary: Chapter X

While Winston lies in bed the next morning, the red-armed woman outside begins to sing, waking Julia. Winston looks at the woman through the window, admires her fertility, and imagines that the proles will one day give rise to a race of conscious, independent individuals who will throw off the yoke of Party control. Winston and Julia look at the woman and realize that although they are doomed, she might hold the key to the future. Both Winston and Julia say, “We are the dead,” and out of the shadows a third voice interjects, “You are the dead.” Suddenly, the two realize that a telescreen is hidden behind the picture of St. Clement’s Church. Stomping boots echo from outside; the house is surrounded. A familiar voice speaks the last lines of the St. Clement’s rhyme: “Here comes a candle to light you to bed / Here comes a chopper to chop off your head!” The window shatters, and black-clad troops pour in. They smash the paperweight, and Winston thinks about its smallness. The troops kick Winston and beat Julia. Winston becomes disoriented; he cannot tell the time on the old-fashioned clock in the room. As the troops restrain Winston, Mr. Charrington enters the room and orders someone to pick up the shards from the shattered paperweight. Winston realizes that Mr. Charrington’s voice was the one coming from the telescreen, and that Mr. Charrington is a member of the Thought Police.

Analysis: Chapters IX–X

The long, drawn-out excerpt from Emmanuel Goldstein’s The Theory and Practice of Oligarchical Collectivism dominates Chapter IX, the novel’s longest chapter. This sprawling treatise on political economy and class struggle mixes many sources of twentieth-century political theory, including works by Leon Trotsky and Karl Marx. Orwell combines aspects of these figures’ respective political philosophies into an extended statement that some critics have felt is too long and too unwieldy to work effectively in the novel. Since 1984 is ultimately a political novel, however, some degree of political discourse seems inevitable. While Orwell may not mask this discourse very subtly or integrate it seamlessly into the rest of the novel, it suits the novel’s purpose. Like titling the work 1984, basing the Party’s political philosophy on elements of contemporary political theory charges the issues of totalitarianism with striking relevance and immediacy.
Additionally, this discourse provides a long lull in the dramatic tension of the novel, setting up the surprising turn of events that the arrival of the Thought Police constitutes. The weighty political discussion coaxes the reader into a state of relaxation mirroring Winston’s growing confidence in his ability to overcome the Party. Even though Winston has continually predicted his own capture throughout the novel, Orwell manages to time the arrival of the authorities perfectly to catch the reader off-guard.
The contrast between Winston and Julia is at its strongest as Winston reads to her from the manifesto in Chapter IX. Their reactions to the content succinctly reflect their personalities. While Winston finds the book to be a thrilling, joyful discovery and can hardly wait to devour it, Julia remains relatively uninterested, even falling asleep while Winston reads. Winston continues to seek an overall explanation of the Party’s control over the present and the past. Julia, on the other hand, continues to seek personal pleasure in the present, not concerning herself with the larger and more abstract questions about her existence.
The contrast between Winston and Julia is at its strongest as Winston reads to her from the manifesto in Chapter IX. Their reactions to the content succinctly reflect their personalities. While Winston finds the book to be a thrilling, joyful discovery and can hardly wait to devour it, Julia remains relatively uninterested, even falling asleep while Winston reads. Winston continues to seek an overall explanation of the Party’s control over the present and the past. Julia, on the other hand, continues to seek personal pleasure in the present, not concerning herself with the larger and more abstract questions about her existence.
منبع: sparknotes

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**Obscure** · 11-30-2011, 08:24 PM

Book Three: Chapters I–III

Book Three: Chapters I–III

Summary: Chapter I

Winston sits in a bright, bare cell in which the lights are always on—he has at last arrived at the place where there is no darkness. Four telescreens monitor him. He has been transferred here from a holding cell in which a huge prole woman who shares the last name Smith wonders if she is Winston’s mother. In his solitary cell, Winston envisions his captors beating him, and worries that sheer physical pain will force him to betray Julia.
Ampleforth, a poet whose crime was leaving the word “God” in a Rudyard Kipling translation, is tossed into the cell. He is soon dragged away to the dreaded Room 101, a place of mysterious and unspeakable horror. Winston shares his cell with a variety of fellow prisoners, including his flatulent neighbor Parsons, who was turned in by his own children for committing thoughtcrime.
Seeing starvation, beating, and mangling, Winston hopes dearly that the Brotherhood will send him a razorblade with which he might commit suicide. His dreams of the Brotherhood are wrecked when O’Brien, his hoped-for link to the rebellion, enters his cell. Winston cries out, “They’ve got you too!” To which O’Brien replies, “They got me long ago,” and identifies himself as an operative of the Ministry of Love. O’Brien asserts that Winston has known O’Brien was an operative all along, and Winston admits that this is true. A guard smashes Winston’s elbow, and Winston thinks that no one can become a hero in the face of physical pain because it is too much to endure.

Summary: Chapter II

O’Brien oversees Winston’s prolonged torture sessions. O’Brien tells Winston that his crime was refusing to accept the Party’s control of history and his memory. As O’Brien increases the pain, Winston agrees to accept that O’Brien is holding up five fingers, though he knows that O’Brien is actually holding up only four—he agrees that anything O’Brien wants him to believe is true. He begins to love O’Brien, because O’Brien stops the pain; he even convinces himself that O’Brien isn’t the source of the pain. O’Brien tells Winston that Winston’s current outlook is insane, but that torture will cure him.

Who controls the past controls the future.

Who controls the present controls the past.

O’Brien tells Winston that the Party has perfected the system practiced by the Inquisition, the Nazis, and the Soviets—it has learned how to eliminate its enemies without making martyrs of them. It converts them, and then ensures that, in the eyes of the people, they cease to exist. Slowly, Winston begins to accept O’Brien’s version of events. He begins to understand how to practice doublethink, refusing to believe memories he knows are real. O’Brien offers to answer his questions, and Winston asks about Julia. O’Brien tells him that Julia betrayed him immediately. Winston asks if Big Brother exists in the same way that he himself does, and O’Brien replies that Winston does not exist. Winston asks about the Brotherhood, and O’Brien responds that Winston will never know the answer to that question. Winston asks what waits in Room 101, and O’Brien states that everyone knows what waits in Room 101.

Summary: Chapter III

After weeks of interrogation and torture, O’Brien tells Winston about the Party’s motives. Winston speculates that the Party rules the proles for their own good. O’Brien tortures him for this answer, saying that the Party’s only goal is absolute, endless, and limitless power. Winston argues that the Party cannot alter the stars or the universe; O’Brien answers that it could if it needed to because the only reality that matters is in the human mind, which the Party controls.

O’Brien forces Winston to look in a mirror; he has completely deteriorated and looks gray and skeletal. Winston begins to weep and blames O’Brien for his condition. O’Brien replies that Winston knew what would happen the moment he began his diary. O’Brien acknowledges that Winston has held out by not betraying Julia, and Winston feels overwhelmed with love and gratitude toward O’Brien for recognizing his strength. However, O’Brien tells Winston not to worry, as he will soon be cured. O’Brien then notes that it doesn’t matter, since, in the end, everyone is shot anyhow.

Analysis: Chapters I–III

Book Two saw Winston’s love affair with Julia begin and end. Book Three begins his punishment and “correction.” Winston’s torture reemphasizes the book’s theme of the fundamental horror of physical pain—Winston cannot stop the torture or prevent the psychological control O’Brien gains from torturing him, and when the guard smashes his elbow, he thinks that nothing in the world is worse than physical pain. Though the Party’s ability to manipulate the minds of its subjects is the key to the breadth of its power, its ability to control their bodies is what makes it finally impossible to resist.
Up to this point, O’Brien has remained an enigma to the reader, but his arrival toward the beginning of Winston’s prison term places him firmly on the side of the Party. O’Brien seems to have been a rebel like Winston at one point—when Winston asks if he too has been taken prisoner, O’Brien replies, “They got me a long time ago.” O’Brien adds insult to Winston’s imprisonment by claiming that Winston knew all along that he was affiliated with the Party—and Winston knows he is right. This section seems to imply that Winston’s fatalism stems as much from his understanding of his own fatalistic motives as from his belief in the power of the Party. In other words, Winston’s belief that he would ultimately be caught no matter what he did enabled him to convince himself to trust O’Brien. He knew that he would be caught whether he trusted O’Brien or not, and so he let himself trust O’Brien simply because he deeply wanted to do so.
Winston’s obsession with O’Brien, which began with the dream about the place where there is no darkness, was the source of his undoing, and it undoes him now as well. Orwell explores the theme of how physical pain affects the human mind, and arrives at the conclusion that it grants extraordinary emotional power to the person capable of inflicting the pain. Because O’Brien tortures him, Winston perversely comes to love O’Brien. Throughout the torture sessions, Winston becomes increasingly eager to believe anything O’Brien tells him—even Party slogans and rhetoric. In the next section of the novel, Winston even begins to dream about O’Brien in the same way that he now dreams about his mother and Julia.
منبع: sparknotes

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**Obscure** · 11-30-2011, 08:26 PM

Book Three: Chapters IV–VI

Summary: Chapter IV

After some time, Winston is transferred to a more comfortable room and the torture eases. He dreams contently of Julia, his mother, and O’Brien in the Golden Country. He gains weight and is allowed to write on a small slate. He comes to the conclusion that he was foolish to oppose the Party alone, and tries to make himself believe in Party slogans. He writes on his slate “FREEDOM IS SLAVERY,” “TWO AND TWO MAKE FIVE,” and “GOD IS POWER.”

One day, in a sudden, passionate fit of misery, Winston screams out Julia’s name many times, terrifying himself. Though he knows that crying out in this way will lead O’Brien to torture him, he realizes his deep desire to continue hating the Party. He tries to bottle up his hatred so that even he will not recognize it. Therefore, when the Party kills him, he will die hating Big Brother—a personal victory. But he cannot hide his feelings. When O’Brien arrives with the guards, Winston tells him that he hates Big Brother. O’Brien replies that obeying Big Brother is not sufficient—Winston must learn to love him. O’Brien then instructs the guards to take Winston to Room 101.
Summary: Chapter V

In Room 101, O’Brien straps Winston to a chair, then clamps Winston’s head so that he cannot move. He tells Winston that Room 101 contains “the worst thing in the world.” He reminds Winston of his worst nightmare—the dream of being in a dark place with something terrible on the other side of the wall—and informs him that rats are on the other side of the wall. O’Brien picks up a cage full of enormous, squirming rats and places it near Winston. He says that when he presses a lever, the door will slide up and the rats will leap onto Winston’s face and eat it. With the writhing, starving rats just inches away, Winston cracks. He screams that he wants O’Brien to subject Julia to this torture instead of him. O’Brien, satisfied by this betrayal, removes the cage.
Summary: Chapter VI

Winston, now free, sits at the Chestnut Tree Café, where dismissed Party members go to drink. He enjoys a glass of Victory Gin and watches the telescreen. He accepts everything the Party says and does. Without acknowledging it to himself, he can still smell the rats. On the table, Winston traces “2 + 2 = 5” in the dust. He remembers seeing Julia on a bitter-cold day that March. She had thickened and stiffened, and he now found the thought of sex with her repulsive. They acknowledged that they had betrayed one another, and agreed to meet again, though neither is truly interested in continuing their relationship. Winston thinks he hears the song lyrics “Under the spreading chestnut tree / I sold you and you sold me,” which he heard when he saw the political prisoners there many years earlier. He begins to cry. He remembers a moment of happiness with his mother and sister, but thinks it must be a false memory. He looks up and sees a picture of Big Brother on the telescreen, making him feel happy and safe. As he listens to the war news, he reassures himself of both the great victory he has won over himself and his newfound love for Big Brother.

And perhaps you might pretend, afterwards, that it was only a trick and that you just said it to make them stop and didn’t really mean it. But that isn’t true.

Analysis: Chapters IV–VI

Though his stay at the Ministry of Love has broken his mind and will and though his love for Big Brother precludes the need to think for himself, Winston still envisions the day that the Party will shoot him. This apparent death wish has led to some speculation that the key to Winston’s character is his fatalism, that he rebels against the Party not because he desires freedom, but because he wants the Party to kill him. Given Orwell’s political aspirations for 1984, this consideration seems to diminish the intent of the work. 1984 may include psychological imbalance among its list of ill effects of totalitarian government, but it seems clear that it is not primarily about psychological imbalance. The main purpose of the novel is to chronicle the workings of the Party’s control over the minds of its subjects in order to warn readers of the dangers of totalitarianism. If all of Winston’s problems were caused by an innate, unusual psychological disorder, then this overriding theme would become irrelevant.
Many consider 1984’s pivotal scene—in which O’Brien threatens to release the cage of rats on Winston’s face—an anticlimax. It has been argued that the cage of rats is not horrible enough to make the reader feel Winston’s torment, and that it is an arbitrary device, unrelated to the powerful, sophisticated workings of the Party. At first glance, these criticisms seem valid. Winston’s collapse does follow hard upon his passionate restatement of his love for Julia and hatred for Big Brother in Chapter IV. However, it is important to remember the theme of physical control, which manifests itself in the Party’s manipulation of the body: Orwell consistently argues that physical pain and the sense of physical danger can override human reason. Winston, facing a writhing swarm of rats prepared to devour his face, cannot act rationally. That his betrayal of Julia occurs so soon after he restates his love for her is precisely the point, as physical pain eliminates the possibility of defending emotional conviction. As Winston notes earlier in the novel, he is a prisoner of his own nervous system. Turning against Julia is an instinctive lunge for self-preservation. Rather than the rats themselves, it is the awareness, foisted upon him by the Party, that he is a prisoner of his own body that ultimately breaks Winston. Once he believes that he is limited by his body, he has no reason to think, act, or rebel.
منبع: sparknotes

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اطلاعیه

Novel-1984 by George Orwell

Novel-1984 by George Orwell

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